rulururu

post Abstract Tips For Improving

April 17th, 2009

Filed under: Tips For Improvment — Administrator @ 4:24 pm

I wanted to share a tip with you that I believe really works.

I call it the Big Fish principle.  Who we are, what we know, and what we can do musically is a result of our environment, experience, and practice.
It is very important to be around the right things and hear the right things.
When you are around certain people often. One or two things usually happens. One is that over time you start to be like them.
Two is that over time they start to be like you. Sometimes this takes place without us even realizing it. It is not good to always be the big fish in the pond.
One way to grow musically is to consistently expose yourself to musicians that are more experienced and more skilled than you are.
Why does this happen? When you are around musicians that are more skilled than you are then it will either inspire and motivate you to strive to do better or it will cause you to realize that you have more growing that you can do.
Subconsciously you also start to pick up things about their playing that you may not even be realizing. One day you will be playing and start to notice that your playing is becoming similar to the person that you have been listening to.
Growth is not as fast if we are always the Big Fish in the pond.  In other words if everywhere we go we are always the most skilled and experienced in our playing then it is easy to get relaxed and fill like we are OK.
If people are looking at you like the mentor and are admiring your playing then you are less likely to strive for improvement.
It’s good to be a mentor to others if you can but everyone needs someone who in a sense mentors them.
In some situations you need to be a Little Fish in a Big Pond as opposed to always the Big Fish.
The little fish grow faster and increase faster.  Little fish have alot to strive for and they are constantly reminded that they have not reached their full potential.
And as a musician you will be the same way. Intentionally put yourself in situations where you are the little fish.  This will really help you.  If you don’t have any body locally that you can go to then go on the Internet and find someone.
go to sites like www.youtube.com pick musicians that you can listen to and watch.
It is a real ego buster but it is great for growth. Always remember that humility is the first step to growth.
This is what I recommend:
1)Find someone whose playing you admire and mentally adopt them as your Big Fish.
(You can have as many as you want)
2) Try to point out some aspects of their playing that you admire and try to emulate them in your playing.
3) Ask questions or get resources that help you to understand whatever it is you are trying to improve on.
Here are a few of the Big Fish that I have adopted down through the years.
Oscar Peterson
Bill Evans
James Williams
Phineas Newborn
Joey Defrancesco
Derrick Jackson
Donald Hayes
Cannonball Adderley
Charlie Parker
Remember these principles
Ask and you shall receive
Seek and you shall find
All things are possible to them that believe
Iron sharpens Iron
The hand of the diligent shall bear rule
Be Blessed,
Kenny Hollins
HMPI

post That Pesky Left Hand

April 10th, 2009

Filed under: Uncategorized — Administrator @ 11:19 am

A question or problem that many gospel keyboardist have is knowing what to do with the left hand. This is my view on the issue. On both hands you have five fingers. Technically anything you can do with your right hand you should be able to do with your left and vise versa.

The way we practice will affect how comfortable we are with our left hand. You have to practice in such a way so that that both hands are getting equall attention. For example, when you are working on scales or something like that, then do it with both hands.

This is a good exercise for left hand development.

1) take a song that you know well and play what you normally play with your right hand with your left.

2) don’t play anything with your right hand and just concentrate on the left hand.

3) try to make it sound as good as it it does when your right hand is playing it.

This helps the left hand to be more independent. Which will eventually translate into your left and right hand working better together.

Here is a challenging exercise but it really helps.

1) play the chords and bass line of a song with your left hand only

2) It is similar to the stride piano or rag time style of playing where you play the bass note and quickly strike the chord above it with the left hand. It gives you the doo wop kind of sound.

3) Now you may have to leave out some notes when doing this but trying to make the song sound full with just using the left hand only will do wonders for using your left hand with your right.

If you continue doing exersices like this you will eventually start playing full sounding chords with your left hand and nice voicings that will compliment the right hand, and that is what you want.

Till next time.

Much Love,

Kenny Hollins

ruldrurd
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